Kendal Bands

Jazz bands in Kendal can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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The names of Jazz Band

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Helen Merrill ; Janis Siegal ; Fred Culley and his Royal York Hotel Orchestra; Dabney's Band; Ford Dabney's Syncopated Orchestra; Dan and Harvey's Jazz Band; Dave's Harlem Highlights; Jasper Davis and his Orchestra; Johnny De Droit and his New Orleans Orchestra; Karrin Allyson ; Laura Fygi ; Lena Horne ; Marlena Shaw ; Mary Stallings ; Bob Deikman Orchestra; Deppe's Seranaders; Detroit Melodists; Devonshire Resturant Dance Band; Harry Dial's Bluesicians; Diamond King's Jazz Band; Carroll Dickerson's Savoy Orchestra; Nancy Kelly ; Nancy Wilson ; Nina Simone ; Nnenna Freelon ; Sarah Vaughan ; Carroll Dickerson's Savoyagers; Dixie Boys; Dixie Daisies; Dixie Four; Dixie Rhythm Kings; Dixie Serenaders; Dixie Stompers; Shirley Horn ; Sussanah McCorkle; Louisiana Rhythm Kings; Louisiana Sugar Babies; Francisco Lomuto Jazz Band; Dixie Washboard Band; Dixie-Land Thumpers; Dixieland Jug Blowers; Dixon and Channey; Vance Dixon and his Pencils; Dixon's Jazz Duo; Dixon's Jazz Maniacs; Jimmie Lunceford and his Chickasaw Syncopaters; Abe Lyman and his Orchestra; Abe Lyman's California Ambassador Hotel Orchestra; Abe Lyman's California Orchestra; Mac's Jazz Orchestra; Dodds And Parham; Baby Dodds Jazz Four; accompanied by the Californians; Mason Dixon Orchestra; Frankie Master's Orchestra; Charles A. Matson's Creole Serenaders; Matson's Lucky Seven; George McClennon's Jazz Devils; Cliff Edwards and The Eton Boys; Cliff Edwards and his Hot Combination; Cliff Edwards "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

The combination of popular soul and gospel tinged, dance-oriented music — fused with improvisation — offered an accessible approach to jazz, which broadened its appeal to a wider audience. Less cerebral than the avant garde and hard bop styles, soul jazz drew from and reacted to the rich cultural experience that defines the African-American culture. Soul music laid the rhythmic groove and emotional foundation for this style including influences by Wilson Pickett, Otis Redding, Ray Charles, James Brown, and Aretha Franklin. Musicians like saxophonist King Curtis and Hammond organist Jimmy Smith often portrayed the experiences of African-Americans by tying their music to cultural themes.

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