Glasgow Bands

Jazz bands in Glasgow can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

Find available Jazz Bands in Glasgow on our national database.

 

  
  
  

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The names of Jazz Band

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Lewitsch Tanzorchester; Mary Ann McAll ; Maxine Sullivan ; Peggy Lee ; Sylvia Syms; Adelaide Hall ; Sam Liberman Jazz Band; Lil's Hot Shots; Donald Lindley and his Boys; Jack Linx and his Birmingham Society Serenaders ; Little Ramblers; Lomuto Jazz Band; Guy Lombardo and his Royal Canadians; Annette Hanshaw ; Connee Boswell ; Ella Fitzgerald ; Ethel Waters ; Helen Humes ; Lopez and Hamilton's Kings of Harmony Orchestra; Vincent Lopez and His Hotel Pennsylvania Orchestra; Vincent Lopez and His Casa Lopez Orchestra; Vincent Lopez and His Orchestra ; Victor Lopez and His Hotel St. Regis Orchestra ; L'Orchestre Scrap Iron Jazzerinos; Lou And His Ginger Snaps; Helen Ward ; Ivie Anderson ; Josephine Baker ; Lee Wiley ; Mabel Mercer ; Louisiana Five; Irving Aaronson and his Commanders; Irving Aaronson and his Crusaders; Adrian and his Tap Room Gang; Adrian's Ramblers; Texas Alexander accompanied by his Sax Black Tams; Texas Alexander accompanied by the Mississippi Sheiks; Martha Tilton ; Mildred Bailey; Annie Ross ; Annie-Marie Moss ; Betty Carter ; Henry Allen and his New York Orchestra; Henry Allen and his Orchestra; Henry Allen - Coleman Hawkins and their Orchestra; Red Allen and his Orchestra; All Star Trio; All Star Trio and their Orchestra; Danny Altier and his Orchestra; Carmen McRae ; Chris Connor ; Cleo Laine ; his Royal York Hotel Orchestra; Mezz Mezzrow Trio; Midnight Rounders "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Swing is the jazz style that emerged during the early 1930s and emphasized big bands. It spilled into the late 1940s and then remained popular in recordings, film, and television music long after its main proponents had disbanded. Most swing-style groups had at least 10 musicians and featured at least three or four saxophones, two or three trumpets, two or three trombones, piano, guitar, bass violin, and drums. Guitarists, bassists and drummers offered repeating rhythms that were sufficiently simple, buoyant, and lilting to inspire social dancers, the style's largest audience. Musicians strove for large, rich tone qualities on their instruments. Solo improvisers did not seek intricacy in their lines so much as lyricism and a hot, confident feeling that was rhythmically compelling. For these reasons, the musical period of the 1930s and 1940s has been called the swing era and big-band era. Not all dance music played by big bands of the 1930s and 1940s was jazz. A large segment of the public, however considered almost any lively, syncopated popular music to be jazz

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