Gillingham Bands

Jazz bands in Gillingham can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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The names of Jazz Band

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Faye Barnes accompanied by Fletcher Henderson's Orchestra; Walter Barnes and his Royal Creolians; Barrel House Five Orchestra; Phil Baxter and his Orchestra; Johnny Bayersdorffer and his Jazzola Novelty Orchestra; Ernestine Anderson ; Esther Phillips ; Etta Jones ; Flora Purim ; Gloria Lynne ; Beale Street Washboard Band; King Bechet Trio; Sidney Bechet and his Creole Orchestra; Sidney Bechet and his Orchestra; Bix Beiderbecke and his Gang; Bix Beiderbecke and his Rhythm Jugglers; Bix Beiderbecke and his Orchestra; Helen Merrill ; Jeanne Lee ; Lena Horne ; Margaret Whiting ; Marlene VerPlanck ; Ben's Bad Boys; Bennett's Swamplanders; Benson Orchestra of Chicago; Flo Bert with Orchestra; Vic Berton and his Orchestra; Jimmy Bertrand's Washboard Wizards; Don Bestor and his Orchestra; Maxine Sullivan ; Meridith d'Ambrosio ; Millie Vernon ; Nancy Harrow ; Nancy Wilson ; Beverly Syncopators; Paul Biese and his Edgewater Beach Orchestra; Paul Biese and his Novelty Orchestra; Paul Biese Orchestra; Paul Biese Trio; Paul Biese's College Inn Orchestra; The Big Aces; Patti Austin ; Phoebe Snow ; Sandra King ; Sarah Vaughan ; Sheila Jordan ; Barney Bigard and his Jazzopators; Barney Bigard and his Orchestra; Barney Bigard Sextet; Birmingham Bluetette; Birmingham Jug Band; Black And Tan Orchestra; accompained Lem Fowler's Orchestra; Wilton Crawley and his Orchestra; Wilton Crawley and the Washboard Rhythm Kings; Charles Creath's Jazz-O-Maniacs; Katie Crippen accompanied "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

As rural music moved to the city and adopted new instruments, the polyphony typical of the African- American singing tradition found an expression in the style now identified as Early New Orleans Dixieland. It differed from the later Chicago Dixieland and the even later revival Dixieland in its instrumentation and rhythmic feeling. These first groups used a front line of a cornet, clarinet, and a trombone. The rhythm section was made up of banjo, tuba, and drums. The origin of these instruments was in the marching bands reflected the need to move while playing.

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