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The names of Jazz BandMuch inventiveness and history has gone into the naming of bands. Here are some band names:- " Arthur Schutt and his Orchestra; Arnold Johnson Orchestra; Bill Johnson's Louisiana Jug Band; Charlie Johnson's Paradise Orchestra; Eddie Johnson's Crackerjacks; J.C. Johnson and his Five Hot Sparks; James P. Johnson's Harmony Eight; Jimmy Johnson and his Band; Al Siegel's Orchestra; Sigler’s Birmingham Merrymakers; Frank Signorelli and his Orchestra; Arthur Sims Creole Roof Orchestra; Omer Simeon Trio; Jimmy Johnson and his Orchestra; Jimmy Johnson's Jazz Boys; Johnson's Jazzers; Margaret Johnson accompanied by the Black and Blue Trio; Margaret Johnson accompanied by Clarence Williams' Blue Five; Margaret Johnson accompanied by Clarence Williams' Harmonizers; Orville Johnson and His Orchestra; Zutty Singleton and his Creole Band; Zutty Singleton Trio; Sioux City Six; Sissle and Blake; Noble Sissle and his Sizzling Syncopators; Clarence Jones and his Sock Four; Isham Jones and his Orchestra; Isham Jones and his Rainbo Orchestra; Jones & Collins Astoria Hot Eight; Maggie Jones accompanied by her Jazz Band; Maggie Jones accompanied by Henderson's Hot Six; Maggie Jones accompanied by Henderson's Hot Six; Noble Sissle and his Orchestra; Noble Sissle and his International Orchestra; Noble Sissle's Swingsters; The Six Black Diamonds; Six Brown Brothers; Richard M. Jones' Jazz Wizards; Richard M. Jones' Three Jazz Wizards; Jones' Paramount Charleston Four; Jimmie's Joys; Jimmie Joy's St. Anthony Hotel Orchestra; Jimmie Joy's Baker Hotel Orchestra; Jimmie Joy's Orchestra " Jazz StylesJazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :- When introduced, bop was as unpopular as swing had been popular. The complexity of the style often left the audience behind. The funky players were interested in recapturing the audience and reestablishing the hot jazz expression that had been abandoned by the cool style. This return was enthusiastic and reached back to the most communicative music in their past- church music. Another motive, less defined and certainly debatable, was the need to reclaim jazz as a predominantly African-American expression. Cool, and particularly West Coast jazz, was predominantly white even though Davis and Young were the forerunners. The structured, soft-spoken arrangements were certainly more typical of the European tradition than the expressive African-American voice heard in the early blues. Click to Enter database [About Jazz Bands] [Ensembles in Chelmsford wedding music repertoire] [About Chelmsford] [About music in Chelmsford] [About Wedding Venues] [About Wedding Ceremonies registrars, ministers and music] [About kinds of music such as classical, jazz or folk] [Frequently Asked Questions FAQs] [Ensembles1] [Ensembles2] [Ensembles3] [Ensembles4] [Home Page] |