Burnley Bands

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The names of Jazz Band

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  University Six; Blythe and Burton; Blythe and Clark; Jimmy Blythe and his Ragamuffins; Blythe's Owls; Blythe's Sinful Five; Blythe's Washboard Band; Blythe's Washboard Ragamuffins; Vagabonds; Syd Valentine's Patent Leather Kids; Louise Vant accompanied by Perry Bradford's Mean Four; Varsity Eight; Varsity Seven; James Boucher et son Jazz; Bogan's Birmingham Busters; Eric Borchard's Atlantic Jazz Band; Eric Borchard's Jazz Band; Borbee's Jass Band; Boston Orchestra; James Boucher et son Jazz; Joe Venuti and Eddie Lang; Joe Venuti, Eddie Lang and their All-Star Orchestra; Joe Venuti and his New Yorkers; Joe Venuti and his Orchestra; Joe Venuti's Blue Four/Five/Six; Perry Bradford and his Gang; Perry Bradford's Jazz Phools; Brady's Clarinet Band; Arthur Briggs' Savoy Syncopators Orchestra; Mart Britt and his Orchestra; The Broadway Bellhops; Harvey Brooks Quality Four; Joe Venuti's Rhythm Boys; Ray Ventura et ses Collegiens; Vicksburg Blowers; Victor Jam Band; The Virginians; Bessie Brown and her Jazz Band; Bill Brown and his Brownies; Lillyn Brown and her Jazzbo Syncopators; Brown and Terry's Jazzola Boys; Tom Brown's Band From Dixieland; Brownlee's Orchestra of New Orleans; Merritt Brunies and his Friars Inn Orchestra; Jimmy Wade and his Dixielanders; Wade's Moulin Rouge Orchestra; Sol S.Wagner and his Orchestra; Fats Waller and his Buddies; Fats Waller and his Continental Rhythm "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

As rural music moved to the city and adopted new instruments, the polyphony typical of the African- American singing tradition found an expression in the style now identified as Early New Orleans Dixieland. It differed from the later Chicago Dixieland and the even later revival Dixieland in its instrumentation and rhythmic feeling. These first groups used a front line of a cornet, clarinet, and a trombone. The rhythm section was made up of banjo, tuba, and drums. The origin of these instruments was in the marching bands reflected the need to move while playing.

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