Abergavenny & Aberdare Bands

Jazz bands in Abergavenny & Aberdare can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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Abergavenny & Aberdare musicians

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The names of Jazz Band

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Bert Cohan and his Orchestra; Ellen Coleman accompained Lem Fowler's Orchestra; The Collegians; Columbia Saxophone Sextette; Paramount Pickers; Anthony Parenti's Famous Melody Boys; Tony Parenti's New Orleanians; Parenti's Liberty Syncopators; Philippe Pares et son Orchestre-Jazz; Eric Concerto's Yankee Jazz Band; Eddie Condon and his Band; Eddie Condon and his Footwarmers; Eddie Condon Quartet; Doc Cook and his 14 Doctors of Syncopation; Cook and his Dreamland Orchestra; Cookie's Ginger Snaps; Tiny Parham and his Musicians; Tiny Parham and his "Forty" Five; Parham's Black Patti Band; Parham - Pickett Apollo Syncopators; Peck's Bad Boys; Coon Sanders Nighthawks Orchestra; Rene Cóspito and his Jazz Band; Cotton Club Orchestra; Cotton Pickers; Willie Coulter and his Band; Ida Cox accompanied by Lovie Austin and her Blues Serenaders; Ida Cox and Lovie Austin; Jack Pettis and his Band; Jack Pettis and his Pets; Phillips Louisville Jug Band; Picaninny Jug Band; Piccadilly Players; Ida Cox and Papa Charlie Jackson; Ida Cox accompanied by her Five Black Spells; Ida Cox accompanied by the Pruitt Twins; Ida Cox and her Allstar Band; Ida Cox and her Allstar Orchestra; Ida Cox accompanied with the Coleman Hawkins Quintet; Rosetta Crawford accompanied by King Bechet Trio; Piccadilly Revels Band; Charles Pierce and his Orchestra; Murray Pilcer and his Jazz Band; Pinkie's Birmingham Five; Piron's New Orleans Orchestra "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

A combination of social and economic events helped usher in the bebop era. As World War II ultimately drafted many of the veteran musicians needed to man the popular big bands of the swing era, many teenagers too young to be drafted were instead enlisted into the ranks of the touring road bands. Young musicians like Gillespie and Parker, as well as Stan Getz and Red Rodney, developed their craft at an early age by working with such swing masters as Jack Teagarden, Earl Hines, and Jay McShann. The war also forced cut backs in dance halls and cabarets due to imposed entertainment taxes, as well as a recording ban imposed by the musicians union between 1942 and 1944. In New York City, many clubs and after hours joints became the breeding ground for small group explorations, especially in Harlem.

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