English Bands

Jazz bands in English can be found on our national database of music and musicians, covering weddings, parties, corporate functions and concert clubs.

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English musicians

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The names of Jazz Band

Much inventiveness and history has gone into the naming of bands. Here are some band names:-

"  Bernie Schultz and his Crescent Orchestra; Scorpion Washboard Band; Cecil Scott and his Bright Boys; Lloyd Scott and his Orchestra; The Scranton Sirens Orchestra; Earl Fuller's Rector Novelty Orchestra; Earl Fuller's New York Orchestra; Futurist Jazz Band ; Garden Dancing Palace Orchestra; Tom Gates and his Orchestra; Georgia Jazz Band; Georgia Melodians; Searcy Trio; Seattle Harmony Kings; Emil Seidel and his Orchestra; Ben Selvin and his Orchestra; Boyd Senter and His Senterpedes; Georgia Strutters; Georgians; Tom Gerunovitch and his Roof Garden Orchestra; Tom Gerun and his Orchestra; Get-Happy Band; Arthur Gibbs and his Gang; Jean Goldkette and his Orchestra; Boyd Senter Trio; Sepia Serenaders; Seven Black Dots; Seven Blue Babies; Seven Brown Babies; Goldkette's Book-Cadillac Orchestra; Gowan's Rhapsody Makers; González Jazz Band; Lud Gluskin Ambassadoians; Benny Goodman's Boys; Goofus Five; Gorman's Novelty Syncopators; Seven Gallon Jug Band; Albert E. Short's Tivoli Syncopators; Arthur Schutt and his Orchestra; Al Siegel's Orchestra; Sigler’s Birmingham Merrymakers; Helen Gross accompanied by the Choo Choo Jazzers; Helen Gross accompanied by the Kansas City Five; Gregor Et Ses Gregoriens; Gregor and his Boys; Gregor et son Jazz; The Gulf Coast Seven; Guyon's Paradise Orchestra; Frank Signorelli and his Orchestra; Arthur Sims Creole Roof Orchestra; Omer Simeon Trio; Zutty Singleton and his Creole Band; "

Jazz Styles

Jazz is a reflection of the history of this music from the 1890s to modern day. Many of the great classical composers have drawn on jazz for inspiration. Jazz can be divided into many periods and styles, e.g. :-

Blues, passed down from generation to generation through an "oral" tradition, originally acted as a functional music offering African-Americans a vehicle to convey their daily experiences. Early forms of the blues include the "field holler," which allowed laborers in the fields to keep in contact with each other, while the "ring shout" was used for dancing. W.C. Handy, known as the "Father of the Blues," published his "Memphis Blues" in 1912, becoming the first song to include "blues" in the title. Handy went on to write other blues classics including "Beale Street Blues," "Yellow Dog Blues," and "St. Louis Blues."

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